Performers: 4
Structure: 3
Technical: 2
Emotional: 4
Overall: 3.5
The Lyric put on a solid performance of Fiddler on the Roof. It was impressive to see older members of cast having such strong parts— and they delivered. With great numbers, comedic timing, and difficult situations, it was a strong performance with a light beginning and emotional ending. I felt the gravity of such situations is not as relate-able this day in age, but it still provided a healthy amount of emotional investment.
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John Preece proved to be a master with Tevya. With so much experience, he added the right amount of nuances to the character, making me really believe him and his situation. The comedic touches, while perhaps feeling a tad out of place, gave the play an extra edge in enjoyment.
The first act was energetic, lighthearted, and fun. It had a lot of energy and drew the viewers in. The transition to the second act felt a bit jolting, both in its change in feeling and the fact that its execution and screenplay did not feel as consistent. Nevertheless, the gravity of the situation is still communicated and felt; Tevya finally draws a line that is consistent with "Tradition".
"Matchmaker, Matchmaker" featured harmonizing vocals from the three eldest daughters and synchronized mop play. The first Christian dance scene was intricate and fun. The wedding ceremony "Sunrise, Sunset" provided relaxing backing vocals. The "Do You Love Me?" showed off Golda's chops and made the viewer appreciate and understand their relationship.
The front lighting of the set was simply too strong and contrasty. Yes, the viewer needs to focus on the character, but it somewhat distracted from the ambiance; especially because the sets themselves looked to be detailed. The flow from scene to scene, however, was done seamlessly, with several scenes beginning before it was finished.
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